WARHOLSTARS.ORG| WARHOLSTARS.ORG |
|
|
|
|
ANDY WARHOL PRE-POP: 1949 - 1962
FOOTNOTES PAGES 1 - 6
1. Chuck Workman (dir.), Superstar: The Life and Times of Andy Warhol, Marilyn Lewis Entertainment, Ltd., 1990.
2. Heather Robinson, "Philip Pearlstein Exhibition," New York Press, November 2 - 8, 2005, vol. 18, issue 44, www.nypress.com/listings/listing.cfm?listings_id=109829 (November 2005).
3. www.drleslie.com/Timeline/Timelines.html and www.drleslie.com/ADGallery/willburtin1.shtml.
4. Billy Name and Matt Wrbican correspondence, September 3 - 4, 2004.
5. Ilana Stanger, Philip Pearlstein [Interview], www.nyfa.org/level4.asp?id=113&fid=1&sid=51&tid=167, originallly appeared on www.artbiz.com.
6. Chris Rodley (dir.), Interview with Joan Fenton, Andy Warhol: The Complete Picture (2002). [Documentary on the life of Andy Warhol for Channel 4 in the U.K.]
7. Tina S. Fredericks, "Remembering Andy/An Introduction," Jesse Kornbluth, Pre-Pop Warhol (NY: Panache Press at Random House, Inc., 1988), p. 10.
8. Donna M. De Salvo, Beth S. Gersh-Nesic, Ellen Lupton, J. Abbott Miller, "Chronology," in Donna M. De Salvo (ed.), Success is a job in New York... The Early Art and Business of Andy Warhol (exh. cat. published jointly by the Grey Art Gallery and Study Center and The Carnegie Museum of Art, 1989), p. 86.
9. Chris Rodley (dir.), Interview with Vito Giallo, Andy Warhol: The Complete Picture (see above).
10. Patrick S. Smith, Warhol: Conversations about the Artist (Ann Arbor: UMI Research Press, 1988) p. 340.
11. www.centrepompidou.fr/education/ressources/ENS-surrealistart-EN/ENS-surrealistart-EN.htm (October 2005).
12. Dawn Ades, "Dada and Surrealism," Nikos Stangos (ed.), Concepts of Modern Art (London: Thames and Hudson Inc., 1981), p. 128.
14. Smith, Warhol: Conversations..., p. 57.
15. Kurt Schwitters, "Merz," Der Ararat (Munich, 1921) translated by Ralph Manheim in Robert Motherwell (ed.), The Dada Painters and Poets (2nd edition) (Boston: G.K. Hall, 1981) p. 58.
16. André Breton, "Marcel Duchamp," originallly published in Litterature (October 1922) and included in André Breton, Les Pas Perdus (Paris: Librairie Gallimard, 1924), translated by Ralph Manheim in Motherwell, p. 210.
17. Smith, Warhol: Conversations about the Artist, p. 336.
17b. Ibid, p. 19.
18. Bennard B. Perlman, "The Education of Andy Warhol," The Andy Warhol Museum (NY: Distributed Art Publishers, 1994), p. 158.
19. Ibid, p. 148
20. Smith, Warhol: Conversations about the Artist, p. 342.
21. David Bourdon, Warhol (NY: Harry N. Abrams, Inc., 1989), p. 30.
21b. Patrick S. Smith correspondence, December 31, 2005.
22. Perlman, p. 150.
23. Ibid, p. 163.
24. Ibid, p. 164.
25. Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol (London: Black Swan, 1989), p. 39.
1. David Bourdon, Warhol (NY: Harry N. Abrams, Inc., 1989), p. 28.
2. Allana Lindgren, From Automatism to Modern Dance: Françoise Sullivan with Franziska Boas in New York (Toronto: Dance Collection Danse, 2003), p. 79.
3. Leonard Lopate, "Interview with Philip Pearlstein, Alessandra Esposito and Joyce Robinson," The Leonard Lopate Show, WNYC radio station, June 24, 2004, http://wnyc.org/shows/lopate/episodes/06242004.
4. Irving Sandler, A Sweeper-Up After Artists (London: Thames & Hudson Ltd., 2004), p. 140.
5. Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol (London: Black Swan, 1989), p. 49
6. Patrick S. Smith, Warhol: Conversations about the Artist (Ann Arbor: UMI Research Press, 1988) pp. 36, 113.
7. Robinson (as above).
8. Smith, Warhol: Conversations...., p. 113.
9. Ibid, p. 116.
10. Ibid, p. 117.
11. Patrick S. Smith, Andy Warhol's Art and Films (Ann Arbor: UMI Research Press, 1986), p. 16.
12. Smith, Warhol: Conversations..., p. 30.
13. Ibid.
14. Bourdon, p. 30.
15. Ibid, p. 308.
16. Lawrence Grobel, Conversations with Capote (NY: Plume, 1985), p. 187.
16a. Smith, Warhol: Conversations..., p. 117.
16b. Truman Capote, "Preface," Music for Chameleons (NY: Random House Inc., 1975), pp. xi - xii.
17. Andy Warhol, "Sunday with Mister C., An Audio-Documentary by Andy Warhol starring Truman Capote," Rolling Stone, Issue no. 132, April 12, 1973, p. 29.
18. Ibid, p. 34.
19. George Plimpton, Truman Capote (NY: Doubleday, 1998), p. 110.
20. Bourdon, p. 31.
21. Victor Bockris, The Life and Death of Andy Warhol (London: Fourth Estate edition published 1998, copyright 1989), p. 91. (Note: Bockris' biography of Warhol was originally published in 1989 by Bantam Books, New York)
22. Guiles, p. 68.
23. Bob Colacello, Holy Terror: Andy Warhol Close Up (NY: Harper Collins, 1990), p. 420.
24. Ibid, p. 421.
25. Andy Warhol and Pat Hackett, Popism: The Warhol Sixties (N Y : Harcourt Brace Jovanovich, 1980), p. 193.
26. Pat Hackett, "Introduction," The Andy Warhol Diaries (NY: Warner Books, 1989), pp. xi, xviii.
27. Colacello, p. 27.
28. Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again) (NY: Harcourt Brace & Company, 1975), p. 148.
29. Hackett, p. xv.
30. Colacello, p. 208.
31. Samuel Barber's Vanessa, with sets and costumes by Cecil Beaton, premiered at the Metropolitan Opera House in New York on January 15, 1958.
32. Smith, Andy Warhol's Art and Films, p. 378.
33. During his interview, Lisanby mentions that when he knew Warhol, "Andy was living on Lexington in the 30s at that time with his mother." (Smith, Andy Warhol's Art and Films, p. 366) Warhol moved into the apartment at 242 Lexington Avenue in the summer of 1953 (see page 4). The limited edition portfolio that Lisanby collaborated on with Warhol in 1954 was 25 Cats Name Sam and One Blue Pussy. Lisanby came up with the title.
34. www.kirjasto.sci.fi/capote.htm (November 2005).
35. Laura de Coppet and Alan Jones, The Art Dealers (revised and expanded edition) (NY: Cooper Square Press, 2002), p. 54.
36. Ioanna Elena Markou, "The Art World Was His Oyster," Odyssey magazine, vol. 2, No. 5 (May/June 1995), www.odyssey.gr/article.asp?entryid=1860&pagecode=02 (November 2005).
1. Quoted in Victor Bockris, The Life and Death of Andy Warhol (London: Fourth Estate Ltd., 1998), p. 100.
2. Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol (London: Black Swan, 1989), p. 95.
3. Donna M. De Salvo (ed.), Success is a job in New York... The Early Art and Business of Andy Warhol (exh. cat. published jointly by the Grey Art Gallery and Study Center and The Carnegie Museum of Art, 1989), p. 52.
4. Ibid, p. 54.
5. Donna De Salvo, "Andy Warhol: Drawing Us In," Andy Warhol: Private Drawings from the 1950s (exh. cat. 2003), p. 9.
6. Ibid.
7. Jason Epstein, "Clam and Eggs," New York Times, September 21, 2003.
8. Tina S. Fredericks, "Remembering Andy/An Introduction," Jesse Kornbluth, Pre-Pop Warhol (NY: Panache Press at Random House, Inc., 1988), p. 13.
9. John O'Connor and Benjamin Liu, Unseen Warhol (NY: Rizzoli International Publications, Inc., 1996), p. 28.
10. Donna M. De Salvo, Beth S. Gersh Nesic, Ellen Lupton, J. Abbott Miller, "Chronology," in Donna M. De Salvo (ed.), Success is a job in New York..., p. 86.
11. Patrick S. Smith, Warhol: Conversations about the Artist (Ann Arbor: UMI Research Press, 1988), p. 63.
12. Bockris, p. 94.
13. Guiles, p. 84.
14. Ibid, p. 83.
15. Bockris, p. 94.
16. Smith, Warhol: Conversations..., p. 28.
17. Bennard B. Perlman, "The Education of Andy Warhol," The Andy Warhol Museum (NY: Distributed Art Publishers, 1994), p. 158.
17b. Patrick S. Smith, Andy Warhol's Art and Films (Ann Arbor: UMI Research Press, 1986), p. 514.
18. Smith, Warhol: Conversations..., p. 11.
19. Smith, Andy Warhol's Art and Films, pp. 248-9.
20. Ibid, p. 249.
21. John Morse (ed.), Ben Shahn (London: Secker & Warburg, 1972), pp. 13 -26.
22. www.law.umkc.edu/faculty/projects/ftrials/SaccoV/chronology.html (November 2005)
23. As quoted in Howard Greenfield, Ben Shahn: An Artist's Life, (NY: Random House 1998), pp. 276 - 77.
24. Ibid, p. 280.
25. Ibid, p. 281.
1. Victor Bockris, The Life and Death of Andy Warhol (London: Fourth Estate Ltd., 1998), p. 94
2. David Bourdon, Warhol (NY: Harry N. Abrams, Inc., 1989), p. 33 and Bockris, p. 101.
3. http://www.ioba.org/newsletter/V4/kessler.html
4. Bourdon, p. 33.
5. Patrick S. Smith, Warhol: Conversations about the Artist (Ann Arbor: UMI Research Press, 1988), p. 28.
6. Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol (London: Black Swan, 1989), p. 115.
7. Smith, Warhol: Warhol: Conversations..., pp. 43, 44.
8. Ibid, p. 44.
9. Ibid. pp. 21, 26.
10. Patrick S. Smith, Andy Warhol's Art and Films (Ann Arbor: UMI Research Press, 1986), p. 338 - 9.
11. Guiles, p. 104.
12. Smith, Andy Warhol's Art and Films, p. 338 - 339.
13. Ibid, p. 343.
14. Smith, Warhol: Conversations..., p. 45.
15. Donna M. De Salvo (ed.), Success is a job in New York... The Early Art and Business of Andy Warhol (exh. cat. published jointly by the Grey Art Gallery and Study Center and The Carnegie Museum of Art, 1989), p. 78.
16. The Staff of the Andy Warhol Museum, Andy Warhol 365 Takes (London: Thames and Hudson Ltd.), p. 80.
17. Bourdon, p. 47.
18. Kim Evans (dir.), Andy Warhol (documentary), A London Weekend South Bank Show co-production with RM Arts, 1987.
19. Smith, Warhol: Conversations..., p. 178.
20. Ibid, p. 118.
21. Bourdon, p. 47.
22. Ibid, p. 31.
23. Ibid, p. 33.
24. Bourdon, p. 36 and Smith, Andy Warhol's Art and Films, p. 250.
25. Smith, Andy Warhol's Art and Films, p. 318.
26. Ibid, p. 70.
27. Donna M. De Salvo (ed.), Success is a job in New York..., p. 78.
28. Smith, Warhol: Conversations..., p. 156.
29. Smith, Andy Warhol's Art and Films, p. 372.
30. Ibid, p. 390.
31. Ibid, p. 372.
32. Smith, Warhol: Conversations..., p. 120.
33. Bourdon, p. 60.
34. Guiles, p. 82.
35. Bockris, p. 125.
35b. Julia Hasting (designer) and Phaidon editors, Andy Warhol 'Giant' Size (NY: Phaidon, 2006), p. 46-7.
36. Smith, Warhol: Conversations..., p. 158.
1. Patrick S. Smith, Warhol: Conversations about the Artist (Ann Arbor: UMI Research Press, 1988), p. 53.
2. "Vito Giallo On Working with Warhol in the Early Years" in John O'Connor and Benjamin Liu, Unseen Warhol (NY: Rizzoli International Publications, Inc., 1996), p. 19.
3. Ibid, p. 27.
4. Ibid, p. 20.
5. The exact period that Gluck actually worked for Warhol is unclear. Donna DeSalvo indicated that it was from 1955 to 1962 in Donna M. De Salvo (ed.), Success is a job in New York... The Early Art and Business of Andy Warhol (exh. cat. published jointly by the Grey Art Gallery and Study Center and The Carnegie Museum of Art, 1989), p. 53. During an interview published in Unseen Warhol (NY Rizzoli, 1996), edited by John O'Connor and Benjamin Liu, Gluck was asked "When did you and Andy stop interacting?" He responded, "In about 1962 or so, when he stopped doing his commercial work." (p. 35) However, during a 1978 interview Patrick Smith asked Gluck "Did you have anything to do with the Brillo Boxes?" and Gluck responded, "Andy told me to go to the supermarket and find me some boxes..." (Patrick S. Smith, Andy Warhol's Art and Films (Ann Arbor: UMI Research Press, 1986), p.322) The inference is that Gluck was still working for Warhol when Warhol was doing his Brillo Boxes which were first exhibited in 1964 at the Stable Gallery. Gerard Malanga, who was Warhol's art assistant at the time that Warhol's product box sculptures were made does not mention Gluck in his account of events. He says that he and Billy Name "would take turns painting with Liquitex all six sides of each box - which numbered nearly 80 - the Campbell's tomato juice for starters, by turning each box around on its side... And and I repeated this process silkscreening all five sides again down the line." According to Malanga, "completing the work took nearly six weeks, from early February well into mid-April [1964]." (see "how we made the brillo boxes" a paper "delivered at the International Symposium for Andy Warhol's Brillo Boxes under the auspices of the Akademie der Bildenden Kunste in Nurnberg, Friday, 19 November 1999" reprinted in Gerard Malanga, Archiving Warhol (NY: Creation Books, 2002), p. 148). Gluck recalled in the Patrick Smith interview that he "had to go up and wrap, upstairs in one of the rooms [of Warhol's home]... all of Andy's [Brillo] soap boxes in plastic because he didn't want them chipped. They all came back [after the exhibition]. He maybe sold two out of all that bunch. Maybe three? He was so upset and depressed, and these bunches were just lying from floor to ceiling, practically." (Smith, p. 325). If this was the case, Gluck was still working for Warhol after the Stable show of the boxes that took place April 21 - May 9, 1964 - unless, of course, he wrapped the boxes for Warhol as a friend rather than as an employee.
6. Patrick S. Smith, Andy Warhol's Art and Films (Ann Arbor: UMI Research Press, 1986), p. 330.
7. Ibid, p. 329.
8. O'Connor and Liu, p. 31.
9. Ibid, p. 22.
10. Smith, Warhol: Conversations about the Artist, p. 144.
11. De Salvo (ed.), Success is a job in New York..., p. 9.
12. Smith, Warhol: Conversations about the Artist, p. 101.
13. Ibid, pp. 103 - 104.
14. Ibid, 108.
15. Ibid, 109.
16. Tina S. Fredericks, "Remembering Andy/An Introduction," Jesse Kornbluth, Pre-Pop Warhol (NY: Panache Press at Random House, Inc., 1988), p. 12.
17. Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol (London: Black Swan, 1989), pp. 107, 115.
18. Ibid, pp. 107, 108.
19. Smith, Andy Warhol's Art and Films, p. 325.
20. Billy Name correspondence, February 25, 2004.
21. Ibid.
22. David Bourdon, Warhol (NY: Harry N. Abrams, Inc., 1989), p. 190.
23. Billy Name correspondence, January 25, 2005.
1. Robert Cozzolino, Dudley Huppler: Drawings (exh. cat.) (Madison, WI: Elvehjem Museum of Art, U. of Wisconsin), p. 16, fn. 27.
2. Ibid, p. 10.
3. "The Egg and We," Flair 1, no. 5 (June 1950), p. 89; quoted in Cozzolino, "Portrait of DH," p. 10.
4. Cozzolino, p. 11.
5. Patrick S. Smith, Andy Warhol's Art and Films (Ann Arbor: UMI Research Press, 1986), p. 262.
6. Cozzolino, p. 16.
7. Ibid, p. 11.
8. Ibid, p. 11.
9. Cozzolino, p. 50.
10. Gene Moore and Jay Hyams, My Time at Tiffany's (NY: St. Martin's Press, 1990), pp. 13, 31.
11. Ibid, p. 38.
12. Ibid, p. 40.
13. Ibid, p. 69.
14. Andy Warhol, The Philosophy of Andy Warhol (From A to B and Back Again) (NY: Harcourt Brace & Company, 1975), p. 22.
15. Fred Lawrence Guiles, Loner at the Ball: The Life of Andy Warhol (London: Black Swan, 1989), p. 51.
16. Moore, p. 70.
17. Ibid.