Unsent Letter to Andy Warhol from Gerard Malanga
It seems I'm always writing you letters to explain myself, my feelings, what's bothering me as you find it easy to say nothing, sometimes, when you know what you're thinking you shouldn't say or it is explained without words or without vibrations.
I thought the Provincetown show got off to a rough but very good start, until you were so kind enough as to let Susan and everyone else not directly connected with the show to get involved with Mary and I on stage. Also, it was unfortunate that Mary had to be dancing above me and not with me.
I want to make it clear to you that (1) I was dancing with The Velvets long before you signed them into a corporation empire, and even before you knew them; (2) that my dancing is an integral part of the music and the show as is your movies; (3) I do not represent a 'go go' dancer in the show but an interpretative-visual happening. You are slowly taking this away from me by allowing outside elements to interfere with my dance routines. Also Larry was supposed to have the spotlight on me when not projected on The Velvets. Instead, that spotlight wandered away from what was supposed to be seen happening on stage. On more than one occasion I found my flashlight missing and then discovered that Roger was dancing with it somewhere near the end of the show.
On more than one occasion I also discovered other people handling the strobes which were inconveniently placed on the stage. All this led up to Mary and me dancing in total darkness, at times. The only way this can be rectified for future shows is not to have troupe dancing but two people at a time. I am willing to take turns. From my vantage point on stage to have more than two dancers the show becomes a Mothers of Invention freak-out. I feel that you will do nothing in your almost absolute power to correct the mess you are responsible for, in which case I will if you won't.
Faithfully, Gerard" (UT82-3)